It was an early morning, up ahead of myself and Glen was a wedding at Wasing Park, Berkshire. A venue that I have never shot at before, I had no idea what to expect, but armed with the GH4, Metabones Speedbooster and fast lenses I was sure to capture the couples day in style.
The style lacked in my ride.. Quentin, my 15 year old Corsa is having major clutch trouble so amongst the effing, blinding and aggressive gear changes we rocked up at St Pauls, Wokingham. In the pouring rain.
It was an exceptional service, the mister was wonderful, one of the best I have had the pleasure of worked with, as were the the stunning couple.
In the church I had a strategic position up ahead of the couple shooting down, so on the 35-100mm F/2.8 & GH4 I framed a great shot of both the bride and groom with a stunning bokeh in the background.
One benefit of shooting on MFT is that the depth of field is greater than full frame, as in you can position more subjects in the depths of the composition (Z-space, slightly further back or forward) without them being blurred or distorted by bokeh in the background if you're shooting very shallow.
So, in this scenario I was able to get closer to the couple by using the GH4 because of it's 2x focal length multiplication with the MFT sensor, as well as framing a gorgeous close op of the bride with the groom still in focus.
After the ceremony, and a damp confetti shot we headed to the reception venue Wasing Park. That was not before having to open up my bonnet 3 times to try and adjust my clutch to actually be able to put in into first gear....
A long drive up a winding country entrance road lead to what I am thinking to be an old manor house and farm, which is now a wedding and event venue in between Reading and Newbury. Thank you sunshine for making your appearance as we arrived at the venue! As it is now October now, mother nature gave the cue for a cold wind, so in essence there was a chill in the air at this wedding despite a warm golden hour.
The GH4 dealt brilliantly with mixed white balances from indoor tungsten light in a pavilion and autumnal daylight through wall-size french windows, and the sweet spots around 4300K, a medium DoF and increased focal distance provided a comfortable filming style, while staying intimate but unobtrusive.
Coming to the speeches, I shot on a 12-35mm F/2.8 for a wide and 35-100 F/2.8 for an MCU of the speaker. This is probably the only place the GH4 has a downfall, it is definitely not a low light camera like the A7s, and with a heavily back-lit and mixed white balanced setting the camera struggled. In a situation of changing exposure and white balance it is always better to carry on recording rather than continually cut, adjust the settings, and resume filming as in the edit it will be easier to achieve continuity across the shots in one scene.
For the first dance, my magic arm broke.. So I was down to one camera, while Glen was shooting a reverse angle on the 12-35mm and Sigma 18-35mm F/1.8 ART and Metabones Speedbooster. We struggled with light, so I used an LED light panel to push some fill in there, for both myself and the photographer.
Overall a great day, the GH4 is definitely geared towards videography and filming with its variety of video-orientated features such as levelling, zebras, peaking and 4k of course, but it struggled in the low light and creating that big bokek look that so many of us have been accustomed to.
The highlights should be up in a couple of weeks and I'll share it then!
Panasonic GH4 x 5
12-35mm F/2.8 x 2
Sigma 18-35m F/1.8
Tamron 70-200mm F/2.8
Zoom H2N x 3
Manfrotto CX-3, MVH-700, Magic Arm, Super Clamp
Shout out to Paul Rogers, the photographer we were working with today. It was great working with Paul, and his documentary style of photography I believe will result on some nice photos.